BOJANA SALJIC PODESVA
Bojana Šaljić Podešva
She closed studies composition at the AG in Ljubljana and studying electroacoustic composition in Vienna. The basic means of her expression is composing electroacoustic music - which covers both fixed two - or multi - channel compositions as well as “real-time” processing instrumental works - vocal sounds or sound installations. For her work she received many awards from slovenian and international competitions - both for concert works - (such as Gustav Mahler Kompositions Preis 32, international competition of Electroacoustic music Bourgesu in france, as well as music for film and theater (eg . Vesna - music from the film Children of Petrick).
photo: Matjaž Pihler
--------------------------------------------------
SLO:
Bojana Šaljić Podešva je zaključila študij kompozicije na AG v Ljubljani in študij elektroakustične kompozicije na Dunaju. Temeljno izrazno sredstvo skladateljice je elektroakustična glasba, s čimer zajema tako fiksno izdelane dvo- ali večkanalne kompozicije kot tudi »real-time« obdelavo instrumentalno – vokalnega zvoka ali zvočne inštalacije. Za svoje delo je bila večkrat nagrajena na slovenskih in mednarodnih komponističnih natečajih; tako za koncertna dela (npr. Gustav Mahler Kompositions Preis, 32. Mednarodno tekm. elektroakustične glasbe v Bourgesu (FRA)), kot tudi za glasbo za film in gledališče (npr. Vesna za glasbo iz filma Otroci s Petrička).
foto: Matjaz Pihler
----------------------
o projektu / about the project ZVO.ČI.TI. (so.und.ing):
ZVO.ČI.TI. (so.und.ing) is presenting the work of artists and music by sound researchers: Marko Batista, Luka Prinčič (Nova deViator), Tao G. Vrhovec Sambolec, SON: DA, Octex, Borut Savski, Irena Tomažin and Bojana Šaljič Podešva. ZVO.ČI.TI. (so.und.ing) is a production of a thematically related sound-art audioperformances of Slovenian composers and sound artists in podcast format. The project integrate audio-Slovenian intermedia scene, creating the field of contemporary music on musical theatrical, audio and internet-based field and internet research performances.
The project involves the authors of young and middle generations that generate predominantly creative approach to music and sound for various forms of contemporary art projects. Featured authors are actively flirting with exploratory attitude to sound, music and sound presence in the field of contemporary sound-art.
The project ZVO.ČI.TI. (so.und.ing) is produced by CONA institute in a co-production with RAM LIVE and co-curated by Ilari Valbonesi (intermedia curator, director RAM LIVE).
Project is supported by the Ministry of Culture of the Republic of Slovenia.
© radioCona, 2009, This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 Slovenia License · more info
Artwork and data is from the podcast’s open RSS feed; we link directly to audio · Read our DMCA procedureListen and follow
Information for podcasters
- Podcast GUID:
5d6359d7-c696-5c53-bbb0-44ac76a217f0 - This podcast doesn’t have a trailer. Apple Podcasts has a specific episode type for a trailer, which also gets used by many other podcast apps: but there isn’t one correctly marked in the RSS feed from the host.
- The audio of this podcast has an HTTP address, and not HTTPS. If it isn’t also available as HTTPS, it is no longer playable in any embedded player on an HTTPS site in Google Chrome.
- This podcast’s RSS feed is not secure. Apple may require this in future.
- This podcast appears to be missing from Spotify, iVoox, and iHeartRadio. We list all the podcast directories to be in.
- See this podcast’s listener numbers, contact details and more at Rephonic
- Validate this podcast’s RSS feed with Livewire, Truefans or CastFeedValidator