Audacy connects creators to YouTube

Audacy connects creators to YouTube

playListen · · 5.4 minutes to read
  • “Do we make podcasts that are essentially television? Or, do we pursue and deepen our relationship with sound, and its imaginative possibilities?” Siobhán McHugh spoke at the Radio and Audio Studies Symposium last month - “Viva the narrative podcast - the case against video”. You can watch the full keynote online, or, you can read the full speech.

  • In Australia, the IAB reported an increase of internet advertising in 2025 of +11.5%. Digital audio as a whole underperformed the market, growing +8.2% to AUD $339mn (US $239mn), though the IAB notes that podcast growth outpaced streaming audio as a whole. Spend on video grew by 19.8%.

  • Meanwhile, in the UK, commercial radio trade organisation Radiocentre reported spend on digital ad formats has almost doubled since 2018 to £89.5mn (US $120mn), and that in 2025, UK commercial radio achieved its highest-ever advertising revenue. These revenue figures don’t include the country’s full podcast industry.

  • Cameron Stack’s Recognized, which writes about podcast awards, takes a critical look at The Ambies, calling it a “regression” from previous years; though he seems to be criticising the production of the night, rather than the awards themselves. (He was also at The Podcast Hall of Fame earlier this year).

  • UK podcast company Goalhanger claims more than three million views for “emergency episodes” covering the US and Israeli strikes on Iran. The company says it received 1.7mn YouTube views and 1.3 million podcast streams and downloads; and that people choose their shows because of their “editorial standards”. Inviting comparisons with other programme-makers, Goalhanger’s release quotes average viewer numbers for individual TV news programmes.

    • Opinion: Views aren’t people; averages aren’t big news days; and opinion isn’t news reporting. Podnews asked Goalhanger how many journalists work for the company, which describes itself in the release as a “news podcast” company: we were told each show has three “producers”. If we must compare: the BBC, alone, has 5,500 journalists, including fifty foreign news bureaus. And quite a few producers, too.

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